Strobist kit 3

For some time now, accessories like the ones normally used for professional high-end flashes are manufactured and available for Storbist. Profoto, Bowens, Elinchrom and Broncolor – to mention a few brands – have in their catalogs a variety of accessories for modifying the light. Everything from diffusers, cones, ring flashes to reflectors for honeycombs, as well as light boxes, Fresnel lenses etc.

Some of these accessories are available for the use of portable flash and the efficiency is very good. Those that work best are the ones that concentrate the light, since the type of lighting they generate is hard. As we know, hard light is achieved with a small light source. To achieve a diffuse and soft lighting , the size of the light source should be big. If you have the possibility to use large size diffusers with the flashes, it will be necessary to have more than one flash to achieve a good diffusion, as we will se in my next post.

Strobist Snoot

Three flash adapter

Some brands have modifiers similar to those of professional range and other brands make more simple accessories that are easier to transport because of its ingenious design based on Velcro™.

Gadget Brando

The accessories from Gadget Brando or Interft Strobies work very well for medium shot portraits, as well as the range from Holn Photo or Lumiquest.
Holn Photo

Lumi Quest

One of my favorite accessories is the light box from Photofex, the OctoDome mini. I made almost all the portraits of the series “Friends” with this accessory. Its interior diffuser distributes the light very evenly and gives a good diffusion of the light in close-up portraits. It is also very easy to set up and transport.
Photoflex Octodome mini

I also like working with the Lightsphere Collapsible from Gary Fong. I normally use it very close to the camera. Directly directed towards the model, the size of the light source increases somewhat and it softens the glow. What I like about this accessory is to bounce the light in the ceiling without the hemisphere, as the contour of the fixture fills the shadows very well, as did the flashes that had two xenon lamps in the same flash, flashes like Nikon Speedlight SB16 or the Metz from the series 45 or 60 CL.

Nikon Speedlight SB16
Metz 45 CL4

This flash, like some Metz and others, allowed bouncing the main light in the ceiling or a sidewall and with a second fill flash decrease the contrast in the face. Today’s flashes do not have this second flash, and the accessory by Gary Fong solves this problem very well.

Lightsphere Collapsible by Gary Fong

Many times we might want to use correction filters like the ones by Rosco, Arri, Lee, etc. These filters will give a color cast to the light of the flash and they are very useful in certain situations which I will talk about in other posts.
Rosco Color Correction filter CTO

There are different brands that solve the problem of how to support the gelatin in front of the light source. Almost all of them rely on a Velcro™ strip fastening the gelatin holder.

Gel Holder

Strobist kit 3.pdf

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Strobist Kit 1

The most important thing to have in mind when using Strobist should be the portability and the weight of this equipment in relation to the use and and the ability to move a studio equipment of flashes to a location. Another important aspect is that the technique used with Strobist is simple but effective.

Strobist

The portable electronics flashes are most suitable for this practice and there is a large variety of brands and benefits. The ideal is if they have plenty of power so they can to deal effectively with outdoors situations where there might be a lack of light, where it may be required that the ratio is 0 EV or sometimes + 1EV. In my case, I always use M (manual) and never TTL (thru the lens) and can there for acquire models that only work with manual, such as the flashes Yongnuo 560 of Chinese origin, which works very well.

Rechargeable batteries are essential to this practice and the best ones are the nickel-hydride metal batteries (Ni-MH). I use those of 2700 mAh and they work very well and they recharge within a reasonable  time. Obviously you will need chargers for these batteries and there are a large variety of models, with space for 4 or 8 batteries and with various charging times.

Strobist  My DIY Battery and PB820

The alternative to the rechargeable battery is to have batteries at one’s disposal. This way you can make more shots and maintain the recycle time for the flash. There are several models among which the batteries PB820 from Godox work very well. There is also the possible to make them oneself. I did two that work well, in addition to the two PB820 that I bought a while ago. I use the home made batteries with the Metz 32CT3 flashes and the ones from Godox with the  Yongnuo 560, the Canon 580EXII and Canon 430EX .

Strobist  Westcott umbrella

The alternative to the harsh light of direct flash can be an umbrella. By bounce the flash light into the umbrella or pass the light through a translucent umbrella you will increase the illuminated surface and hence  the light will be more diffuse and enveloping. The umbrella is fast and easy to carry in relation to other diffusion accessories such as the light boxes. The are many different brands and prices for the umbrellas. The bigger the umbrella is, the smoother the light will get.

Strobist  Manfrotto 026 + Hot Shoe Kaiser

You will need a ball head for the umbrella, for example the Manfrotto 026, and a foot with a synchronization cable PC, like the Kaiser 1301. Without any doubt I recommend a metal ball head and not one of plastic. That is why I think the Manfrotto ball head is the best option, although there are other manufacturers of metal bearings of this type.

Strobist  Kupo stands

The foot of the tripod is the thing that gives support to the set and should be very stable, especially when working outdoors where there may be windy. Although a model like the Manfrotto 001B is lightweight and convenient to carry, I prefer a more robust model, like the Bowens BW6610 or similar ones. Folded  it measures 86 cm and can reach a height of 3 meters. To give more stability to the set I always carry a couple of camping showers of 15 liters with me. Filled with water they allow me to replace the not so practical sandbags, perfect when you want to work with light equipment and laptops. Of course there must be a tap near the set!

Strobist

It is necessary to synchronize the flash with the camera. The cheapest alternative is to have a sync cable that unifies the flash shoe to PC connector of the camera. You can also use optical cells  like the Wein – which is perhaps the best on the market – if you shoot with one flash from the camera and synchronize the other flash units. You can also use infrared emitters and receivers, these options are good if you only work indoors.

Strobist Wein cells   Wein optical cells

But if you want to work outdoors in broad daylight you will need to have radio emitters and receivers. There is many types and prices, the high range coming from PocketWizard whose scope is unique and the reliability very high, just like the price.

Strobist PocketWizard

Finally, the great utility of having a set of color temperature correction gelatins like the CTO and CTB type should be highlighted, plus some  gels with color effect like the ones from Rosco, Gam or Lee.

Strobist Rosco gels

Up to here the basics, but there are many more accessories to complete a good Strobist kit. I will keep on explaining them.

Kit Strobist 1.pdf

All rights reserved. © Isarrualde Photography
It is forbidden the use partial or global of this website unless authors written permission.