Strobist Kit 1

The most important thing to have in mind when using Strobist should be the portability and the weight of this equipment in relation to the use and and the ability to move a studio equipment of flashes to a location. Another important aspect is that the technique used with Strobist is simple but effective.

Strobist

The portable electronics flashes are most suitable for this practice and there is a large variety of brands and benefits. The ideal is if they have plenty of power so they can to deal effectively with outdoors situations where there might be a lack of light, where it may be required that the ratio is 0 EV or sometimes + 1EV. In my case, I always use M (manual) and never TTL (thru the lens) and can there for acquire models that only work with manual, such as the flashes Yongnuo 560 of Chinese origin, which works very well.

Rechargeable batteries are essential to this practice and the best ones are the nickel-hydride metal batteries (Ni-MH). I use those of 2700 mAh and they work very well and they recharge within a reasonable  time. Obviously you will need chargers for these batteries and there are a large variety of models, with space for 4 or 8 batteries and with various charging times.

Strobist  My DIY Battery and PB820

The alternative to the rechargeable battery is to have batteries at one’s disposal. This way you can make more shots and maintain the recycle time for the flash. There are several models among which the batteries PB820 from Godox work very well. There is also the possible to make them oneself. I did two that work well, in addition to the two PB820 that I bought a while ago. I use the home made batteries with the Metz 32CT3 flashes and the ones from Godox with the  Yongnuo 560, the Canon 580EXII and Canon 430EX .

Strobist  Westcott umbrella

The alternative to the harsh light of direct flash can be an umbrella. By bounce the flash light into the umbrella or pass the light through a translucent umbrella you will increase the illuminated surface and hence  the light will be more diffuse and enveloping. The umbrella is fast and easy to carry in relation to other diffusion accessories such as the light boxes. The are many different brands and prices for the umbrellas. The bigger the umbrella is, the smoother the light will get.

Strobist  Manfrotto 026 + Hot Shoe Kaiser

You will need a ball head for the umbrella, for example the Manfrotto 026, and a foot with a synchronization cable PC, like the Kaiser 1301. Without any doubt I recommend a metal ball head and not one of plastic. That is why I think the Manfrotto ball head is the best option, although there are other manufacturers of metal bearings of this type.

Strobist  Kupo stands

The foot of the tripod is the thing that gives support to the set and should be very stable, especially when working outdoors where there may be windy. Although a model like the Manfrotto 001B is lightweight and convenient to carry, I prefer a more robust model, like the Bowens BW6610 or similar ones. Folded  it measures 86 cm and can reach a height of 3 meters. To give more stability to the set I always carry a couple of camping showers of 15 liters with me. Filled with water they allow me to replace the not so practical sandbags, perfect when you want to work with light equipment and laptops. Of course there must be a tap near the set!

Strobist

It is necessary to synchronize the flash with the camera. The cheapest alternative is to have a sync cable that unifies the flash shoe to PC connector of the camera. You can also use optical cells  like the Wein – which is perhaps the best on the market – if you shoot with one flash from the camera and synchronize the other flash units. You can also use infrared emitters and receivers, these options are good if you only work indoors.

Strobist Wein cells   Wein optical cells

But if you want to work outdoors in broad daylight you will need to have radio emitters and receivers. There is many types and prices, the high range coming from PocketWizard whose scope is unique and the reliability very high, just like the price.

Strobist PocketWizard

Finally, the great utility of having a set of color temperature correction gelatins like the CTO and CTB type should be highlighted, plus some  gels with color effect like the ones from Rosco, Gam or Lee.

Strobist Rosco gels

Up to here the basics, but there are many more accessories to complete a good Strobist kit. I will keep on explaining them.

Kit Strobist 1.pdf

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It is forbidden the use partial or global of this website unless authors written permission.

The photography studio

I have worked in countless studios, even though my work usually makes me work “on location”, ie, on exterior or interior locations outside the studio. But working in the studio is very convenient for many reasons, and one of the reasons is the possibility of completely controlling the light.

Photography studio © Marcelo Isarrualde

My first task as director of photography for the studios that the editorial group Hymsa Edipresse, now fusioned with the RBA Group, had in Barcelona was to equip the studios with the most efficient infrastructure. This to be able to realize the different types of photography a publishing company with more than 15 headers could need. It can be everything from baby pictures to pictures of photomodels, decoration or plates of food, still lifes or portraits. The different magazines required a wide range of equipment for the photo shooting, for lighting and props.

The still lifes of food require little space, but sometimes it is important that it looks like the photo has been taken on another location and not in a studio. For this it is good to have sets that allow you to put the plate in context.

Photography studio © Marcelo Isarrualde

Photography studio © Marcelo Isarrualde

Another important aspect is to work with the most efficient equipments for each job. An optical bank as the Cambo Ultima 35 is essential for solving many problems that still lifes can imply, as it is a flexible camera that can solve the problems with depth of field and perspective distortion, among other things. The great advantage of this camera is that it is adaptable to medium format digital backs or 35 mm cameras. Hence, to have the versatility that an equipment of 35 mm SLR gives you, such as the Canon Mark III or the quality of a medium format camera like the Hasselblad, completes the kit of versatility and quality. If we also can count on a good monitor like the excellent ones that the wide range of Eizo offers, even better!

Photography studio © Marcelo Isarrualde

Photography studio © Marcelo Isarrualde

What about lighting?

The big brands have a great variety of accessories. In this way the choice for a studio where many different types of pictures are being made should be the brand who’s accessories can meet all your needs concerning lighting techniques. They should have everything from fiber optic accessories to ring flashes, gobo projectors to large windows. And they should also have a service center near, and should be fast and effective!

Photography studio © Marcelo Isarrualde

Finally, having a small carpentry atelier for mounting sets is useful for interior photos as for fashion magazine covers, and is another of the equipments that makes the work more fluid and faster in a big studio.

Photography studio © Marcelo Isarrualde

Photography studio © Marcelo Isarrualde

The photography studio.pdf

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It is forbidden the use partial or global of this website unless authors written permission

Dino or “Flaco” Pérez ?

Dino © Marcelo Isarrualde

Dino or “Flaco” Pérez ?

You will see Flaco Pérez in this blog quite often whereas Dino, I don’t think so. Álvaro is a great friend of mine who is always ready to take part in all my photo experiments. You will remember him from the post “Crisis? What Crisis?“. And today he has got a role in this one, too. He’s becoming my “muse”.
We had decided to drive to the Sant Adriá del Besós beach when suddenly on the way, we saw Dino. We got off the Vespa and discovered there was an exhibition on dinosaurs. There was a strong contrast between the ambience under the marquee and the midday sun in a clear day. Dino’s picture was taken with a Canon G9 ISO 80, 1/320 and f8.

Dino © Marcelo Isarrualde Dino at Barcelona

I tried my DIY battery that I had just built and took a quick picture of my friend. There were a lot people waiting to get in the exhibition and only had time just for three shoots.

"Flaco" Perez on Capture One Pro © Marcelo Isarrualde  “Flaco” Perez on Capture One Pro

I wanted to focus the attention on my friend despite having Dino’s presence in the background. Therefore I underexposed the background to -1EV and shoot Flaco’s portrait with a Metz 32 CT3 to balance the difference in light between the ambience under the marquee and outside it. The portrait was finally taken at 1/640, f8. The flash was shoot with Pocket Wizard and the little Canon G9 synchronized very well at a high speed. Even compared to my Canon Mark III that synchronized only till 1/250 the G9 was able to reach 1/2500 !
After the takes, I used Capture One Pro to gain back some details in the dark areas of the blue curtain as well as of my friend’s face.

"Flaco" Perez © Marcelo Isarrualde “Flaco” Perez

Lighting diagram © Marcelo Isarrualde  Lighting diagram

Dino or “Flaco” Perez.pdf

Emerging

It was the last day of the summer, and with it many people’s holidays would have now come to an end. I wanted to take a fun picture to remember the good times we have had, and also to remind that it was time to go back to our routines, early general elections and the crisis.

Would we swim or sink?

Swim or sink © Marcelo Isarrualde

Technically it was a very easy picture to take. We just had to wait until the sun didn’t shine the beach directly. But we couldn’t wait too long because otherwise the reflection of the sky in the sea would become darker. At that time of the year the best moment had to be around 6 pm.

I used a portable flash Canon 580 EX II with a diffuser Gary Fong Light sphere Collapsible as I needed enough power to be at least + 1 EV above the ambience light and to project subtle strike of light onto the face of our diver. To avoid reflections on the glass of the googles and to better see the face, I stand in front our model. And as electrical power source, I used my DIY battery!

Despite the fantastic colour of the sea, I wanted to add it a slight blue shade cast with a warm touch to make our diver look tanned, as if he had spent the whole summer at the beach.

I could have left the colour treatment for the post-production, but why not kill two birds with one stone and save time?

Sometimes thinking analogical can be very practical! I put over the flash a colour correction gel of ½ (orange colour temperature), that gave the skin the warm orange colour shade that we wanted. The colour was later balanced with the RAW development, while the rest of the scene still kept a blue shade. Finally a greenish-blue touch was also added.

Making of © Marcelo Isarrualde

Lighting diagram © Marcelo Isarrualde  Lighting diagram

Emerging.pdf

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It is forbidden the use partial or global of this website unless authors written permission.